Gothic Readings, compiled by Rictor Norton

TO MAKE A NOVEL
(1810)


A novel may be made out of a romance, or a romance out of a novel, with the greatest ease, by scratching out a few terms, and inserting others. . . . From any romance to make a novel. Where you find –

 
A castle, . . . . . . . . . . . . . . . . . put

A cavern, . . . . . . . . . . . . . . . . . . .

A groan, . . . . . . . . . . . . . . . . . . .

A giant,. . . . . . . . . . . . . . . . . . .

A blood-stained dagger,. . . . . . . . . . .

Howling blasts,. . . . . . . . . . . . . . . . . . .

A knight,. . . . . . . . . . . . . . . . . . .

A lady who is the heroine,. . . . . . . . . .

Assassins,. . . . . . . . . . . . . . . . . . .

A monk,. . . . . . . . . . . . . . . . . . .

Skeletons, skulls, &c.. . . . . . . . . .

A lamp,. . . . . . . . . . . . . . . . . . .

A magic book sprinkled with blood, . . . .

Mysterious voices,. . . . . . . . . . . . . .

A secret oath,. . . . . . . . . . . . . . . . . . .

 

A gliding gost,. . . . . . . . . . . . . . . . . . .

A witch,. . . . . . . . . . . . . . . . . . .

A wound,. . . . . . . . . . . . . . . . . . .

A midnight murder,. . . . . . . . . . . . . .

 
An house.

A bower.

A sigh.

A father.

A fan.

Zephyrs.

A gentleman without whiskers.

Need not be changed, being
versatile.
Killing glances.

An old steward.

Compliments, sentiments, &c.

A candle.

A letter bedewed with tears.

Abstruse words, (easily found in a dictionary).

A tender hint accompanied with naiveté.

 
A usurer, or an attorney.

An old housekeeper.

A kiss.

A marriage.

The same table of course answers for transmuting a novel into a romance.


[SOURCE: The Age; A Poem (London: Vernor, Hood, and Sharpe, 1810), pp. 209–10]


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